This exhibition is a reflection on the constant interaction of emptiness and time in artistic creation. Here, the presence and absence of matter generates forms in space and poetically shows us that, when contemplating them, we feel that internal, sensory and emotional worlds embrace us.
The relationship between sculpture and the void, from a formal point of view, is a key topic in the history of art. But the emptiness mentioned here not only refers to the space inside or around a sculpture, but also to more abstract conceptions such as absence-presence, modes of perception-relationship and tensions between the material and immaterial, which enable creative and They constitute an essential part of that symbolic language by naming what cannot be named, which is art.