K29914 Lying - Series
K29914 Lying - Series "Beauty as a verb"
collage on paper
22 x 30 cm / 9 x 12 in
2023
K29916 Nereidas - Series
K29916 Nereidas - Series "Beauty as a verb"
collage on paper
38 x 27 cm / 15 x 11 in
2023
K29940 Bad posture
K29940 Bad posture
installation of six digitally printed sintra panels attached to wood platform
27 x 38 cm / 11 x 15 in
2023
K29910 Al borde de unas valvas moluscas - Series
K29910 Al borde de unas valvas moluscas - Series "Beauty as a verb"
collage on paper
27 x 38 cm / 11 x 15 in
2023
K29917 Posing on chair - Series
K29917 Posing on chair - Series "Beauty as a verb"
collage on paper
38 x 27 cm / 15 x 11 in
2023
K29911 Beauty as a verb - Series
K29911 Beauty as a verb - Series "Beauty as a verb"
collage on paper
22 x 30 cm / 9 x 12 in
2023
K29918 Sitting - Series
K29918 Sitting - Series "Beauty as a verb"
collage on paper
38 x 27 cm / 15 x 11 in
2023
K29912 Contrapposto - Series
K29912 Contrapposto - Series "Beauty as a verb"
collage on paper
38 x 27 cm / 15 x 11 in
2023
K29921 The divine woman - Series
K29921 The divine woman - Series "Beauty as a verb"
collage on paper
30 x 22 cm / 12 x 9 in
2023
K29926 The line she traced 3
K29926 The line she traced 3
collage on paper
22 x 30 cm / 9 x 12 in
2023

Luciana Pinchiero

Born in Argentina, Luciana Pinchiero received her MFA from Parsons The New School (NYC), and her BFA from Otis College of Arts and Design, (Los Angeles). Her work has been shown in museums, art spaces and galleries in New York City, Brooklyn, Los Angeles, France and Iceland. She is the recipient of the LungA School Residency Fellowship in Seyðisfjörður, Iceland and she has recently participated in the 38th cycle of the Artist in the Marketplace program (AIM) at the Bronx Museum of the Arts. Luciana lives and works in Brooklyn, NY.

She works predominantly with collage, photography, moving images, and objects. She is interested in the concept of postcolonial ‘herstory’ as she observes and de-construct the recorded history and its fixed patterns. Pinchiero´s latest projects involve the manipulation of (rarely) disputed dominant history, as she challenges the idea of traditional Western representation of historically acclaimed male figures.

Luciana is excited and proud to be part of a generation of Latin Americans that can potentially overturn an imposed worldview into an embarrassing sense of displaced identity. The efforts to tear down and/or re-locate emblematic monuments that celebrate colonialism and white male supremacy around the world are the kind of events that have motivated me to make art in the last few years. The artists it is not interested in reproducing these events, but in creating situations that encourage the viewer to reconsider how objects that are typically seen as harmless – like a neoclassical statue of a naked female body, or the public representation of a brave man facing the sky and riding a horse, can be detrimental to the ways in which we relate to class, race and gender.

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