Between the horizon and me lies an endless array of interferences.
My fundamental question is: What is the representation of a territory? And conversely: What is the territory of representation?
I see the world as composed of lines, and I treat abstraction as a space of pure potential. My working tool is a three-centimeter line that I repeat endlessly to construct artificial, transient, and pixelated territories—a potential pattern for another language, and a space to explore writing, time, movement, and memory.
I explore the landscape as a sentient, voracious creature—as an incomplete and precarious entity.
Painting a landscape is like writing a letter. I treat the stroke as a code and as the most embryonic state of being—a realm where we are untouched by roughness.
Painting is an uninhabited landscape where I am always alone, reclaiming the gesture—a gesture that appears and reappears at every moment, like a horizon: unstable, uncertain, and fleeting.
I believe that when a hand is raised holding an artistic tool, it is a hand that has been rising for 45,500 years—a movement so repetitive that one could create dance works inspired solely by this deeply unsettling motion.
Azul Van Peborgh (Buenos Aires, Argentina, 1995)
Lives and works in Buenos Aires, Argentina
Education
2017–2020 Bachelor’s Degree in Visual Arts. Chelsea College of Art, University of the Arts London.
Solo exhibitions
2026 Nieve que cala y flota, Praxis, Buenos Aires, Argentina
2025 Pentimento, Galería Miranda Bosch, Buenos Aires, Argentina
2022 Chupo una Piedra, Galería TokonOMa, Buenos Aires, Argentina
Group exhibitions
2025 CICA Vancouver, Canadá
2025 Feria arteBA, Buenos Aires, Argentina
2025 Galería Cecilia Caballero, Buenos Aires, Argentina
2024 Galería Miranda Bosch, Buenos Aires, Argentina
2024 Galería Acéfala, Buenos Aires, Argentina
2023 Galería Concreta, Buenos Aires, Argentina
2023 Premio Adquisición 8M, Centro Cultural Kirchner, Buenos Aires, Argentina
2022 Premio Salón Nacional de Artes Visuales, Centro Cultural Kirchner, Buenos Aires, Argentina
2022 Bienal de Arte Joven, Centro Cultural Recoleta, Buenos Aires, Argentina
2020 “In sight of”, Proposition Studios, London, UK
2020 London New Contemporaries, The Hari, London, UK
2019 Muestra intermedia, Chelsea College of Art, London, UK
2019 Young Modulus, The Cock Tavern, London, UK
2019 Latin American Myth Deconstruction, The Crypt Gallery, London, UK
2018 Young Modulus NW1, The Crypt Gallery, London, UK
2018 Verve, libros de artista y publicaciones, DeptfordX (en colaboración con las curadoras “Space Honey”), London, UK
2018 The Brixton Pound, London, UK
2017 Performance de Tianyu Xu y Azul van Peborgh (Colaboración: Maestría en Performance Design and Practice, Central Saint Martins, UAL), London, UK
2017 Chelsea College of Art, UAL (muestra final), Triangle Building y Cook House, London, UK
2017 Diploma Fundacional en Arte y Diseño (muestra final), Central Saint Martins, UAL, London, UK
2017 Kings Cross Open Space, London, UK
2017 Estudio abierto, Gallery Day, Buenos Aires, Argentina
Awards and distinction
2025 Full grant for Vermont Studio Center, Canadá
2024 Premio Galería Miranda Bosch
2022 Salón Nacional de Artes Visuales: Instalaciones y Medios Alternativos, Centro Cultural Kirchner, Buenos Aires, Argentina
2021 Bienal de Arte Joven de Buenos Aires, Centro Cultural Recoleta, Buenos Aires, Argentina
2021 Beca “Creación”, Fondo Nacional de las Artes, Argentina
2020 Associate Studio Programme 2020–2022 (provides free studio space for ten artists and mentorships with established artists, writers, and curators), ACME Studios, London, UK (declines the offer to return to live in Argentina)
2020 Premio de Pintura Freelands Foundation, nominated by University of the Arts London, London, UK
